WATCH PART THREE OF THE INTERVIEW RECORDED AT ABBEY ROAD
In this third part of the interview series we found out from Ken about how using less impressive microphones when recording drums needn’t be a problem, talks about dynamic range, the importance of good monitoring (again) and making a decision to keep a session moving. Come back soon for the fourth part of our interview!
RecordProduction.com presents Singing Canary Productions Art of Recording Video Tutorials.Click this link to get the HD Video Tutorial for 20% less!
The recording process is a fantastic audio journey. It’s guided by the audio engineer who nurtures a sound from its acoustic inception, emanating from the musician’s instrument as it travels through the air… to the proper microphone placed in an exact position… through the cable to the chosen pre-amp… then into the dynamics processors… through the mixing console’s channel strip where it gets sculpted and shaped and given perspective… until it finally meets up with the other sounds whose journeys have followed completely different paths to the final mix.
And, every step of the way important, hit-making decisions are made by the the audio engineer that determine just how everything is going to work together to make the best recording possible. To master this incredible process we at macProVideo.com are pleased to bring you the first in a series of meticulously detailed tutorials on, “The Art of Audio Recording”.
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