Recording Engineer Edd Hartwell

We met up with ex-SARM Studios engineer Edd Hartwell at George Shilling’s studio to chat about his recording methods and we were keen to find out how serving an apprenticeship under such legends as Trevor Horn and Steve Lipson has shaped his career so far.

Edd started his musical career playing guitar and saxophone in bands until a love of recording studios and sound engineering was discovered. Edd has worked with the likes of Tony Visconti, Guy Massey, Stephen Lipson, Jim Abbiss and Trevor Horn on a regular basis, racking up UK number 1 albums and a Grammy nomination for best engineered album. Credits include The Noisettes, Ed Sheeran, Jeff Beck, The Kooks, The Prodigy, Kt Tunstall and Yes, amongst others.

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Photographs of Edd Hartwell are in this picture gallery

 

Recording engineer and music producer max heyes talks on camera about lynchmob studios

With credits ranging from the Doves to Paul Weller, Oasis & Primal Scream to Jamiroquai & Massive Attack. Max Heyes is happiest in a live band environment, as well as with dance-pop projects. We met up with Max at Lynchmob Studios, London, to find out more about his career and the studio that he’s based at.

Watch the Max Heyes Video Feature – Click Here

Combining the best of new technology with the organic feel of true live sound, Max co-produced The Doves’ Mercury Music Prize Nominated UK#1 album “The Last Broadcast”, and contributed mixes for Primal Scream’s XTRMNTR album- recently voted number 3 in NME’s top albums of the decade. Max was also involved in developing the La Roux project with mixes of the smash hit ‘In For The Kill’

 

George Shilling visited Danton Supple with the camera crew on a sunny day in August 2011 to find out how he has got on since our last feature with him over five years ago. In that time Danton has gone on to produce some mega massive smash hit albums for artists such as Cold Play and we think that this is proof that being featured here on RecordProduction.com is good for business :-)

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dimitri tikovoi record producer in his recording studio london uk

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 Danton continues to build upon the success of his production and mix work with COLDPLAY and has recently set up his own mix room in the Battery Building where he has been mixing albums for SOULSAVERS, album tracks for IAN BROWN’s finest album to date ‘My Way’ and NATALIE IMBRUGLIAs latest long player. Danton also mixed AMY MACDONALD’s second album ‘A Curious Thing’ (A-listed at BBC Radio 2) as well as producing a solo album for Fightstar frontman, CHARLIE SIMPSON and an album by new artist THE GADSENS.

Special thanks to Danton and everyone at 140dB for their help in making this feature possible and to George Shilling for asking all of the questions!

Browse our Gallery of Danton Supple Photos that we took

 

dimitri tikovoi record producer in his recording studio london uk

George Shilling visited Parisian born and classically trained Dimitri Tikovoi with the camera crew to talk with Dimitri who has recently produced records for Rosie Oddie fronted band Oddysey and a beautifully crafted sonic masterpeice for The Irrepressibles.
Dimitri also recently produced tracks for The Young Knives and The Pangs. Apart from putting the finishing touches to his own very solo project Trash Palace, Dimitri is currently writing with Spanish diva Lantana, Sophie Ellis Bextor, new tracks for the face of Maxfactor Maya of Soho Dollsand the incredibly talented and new Atlantic signing Charli XCX.
Recently Dimitri has written with Maximals, Placebo and is currently co-writing and producing an album for Nicola Roberts of Girls Aloud. This video is copyright, please don’t copy or re-upload to other sites. To view you’ll need Quick Time installed and a fast internet connection.
 

New York’s Stadium Red it’s all about the Team and the Equipment; A Dangerous combination. With in-house Grammy-winning team members like ‘Classical Producer of the Year’ winner David Frost, ‘Best Classical Album’ winner, mix engineer Tom Lazarus, along with ‘Best Rap Album’ winner, producer Just Blaze, Stadium Red has an amazing breadth of talent and capabilities at their New York studio location. The A and C4 studios are outfitted with a range of Dangerous Music hardware including the Dangerous Monitor ST and the Monitor ST/SR customized for 7.1 surround, the Dangerous 2-Bus LT analog summing, and the new Dangerous BAX EQ.

“There were 4 projects done at Stadium Red that won Grammy’s this year,” says Claude Zdanow, Founder and CEO of Stadium Red. “Three of the Grammys were in the Classical world and one in Hip Hop. Total, we were nominated for 11 Grammys in 9 different categories. We won Best Rap Album for Eminem’s “Recovery” with Just Blaze. He produced on the album and also did some mixing out of the A room, where he was using the Dangerous Monitor ST. Three of the five projects that made David Frost ‘Classical Producer of the Year’ were done here in our Studio A at Stadium Red using the Monitor ST/SR monitoring system. All our engineers, producers and mixers love the Dangerous Music gear. It’s gear we can trust on all our work.”

Zdanow continues, “The engineer that works out of Studio C4 is Ariel Borujow, (Black Eyed Peas, P-Diddy, TI), he was the first person to say ‘Listen we need the Dangerous summing’ — he tried it out, and now he won’t mix without it. He’s primarily an in-the-box guy, but his chain is always: out to the Dangerous 2-Bus LT summing, to two tracks to an SSL compressor, then to the Dangerous BAX EQ. He swears by it, he won’t mix any other way.”

“Originally we had a different monitoring system in the A room,” recalls Zdanow about the studio with the SSL, “but it never came up to snuff. Once we plugged in the Dangerous Monitor ST, the difference was unreal. We could hear the difference in space and clarity — the Dangerous products are just musical and clean. I’ve done a few mixes using the Dangerous 2-Bus LT summing to the Dangerous BAX EQ and it’s just so smooth, not harsh at all. With the BAX EQ you boost the highs or the Lows and everything is just so natural sounding. The Dangerous Music equipment is some of the best we’ve used — compared to all the other stuff we’ve tried. It’s not coloring the sound, it’s very clear.” Zdanow also noted, “We wanted to bring the sound, feel and headroom of an analog console to Studio C4, and the 2-Bus LT gave all that to us.”

With the release of the long-awaited debut album from Hip Hop artist Saigon, Stadium Red continues to turn out top albums that go straight to the charts. “We just finished a project done across the whole facility; the new Saigon album. It’s a Hip Hop project called ‘The Greatest Story Never Told.’ That album was recorded, produced, mixed and mastered at Stadium Red. A good part of the album was mixed in the C4 room on the Dangerous 2-Bus and the BAX EQ using the Dangerous Monitor ST. It was the Number 1 Hip Hop album on iTunes, and it hit number 7 on Billboard Magazine’s Hip Hop album charts,” adds Zdanow.

Discussing his use of the custom 7.1 Monitor ST/SR system, Zdanow says, “The A room is always set up in 5.1, and when we have 7.1 projects we just switch up the room. One of the big 7.1 projects we did was for the San Francisco Symphony, it was a Blu-Ray filmed project that was recorded live in San Francisco. It was recorded on-site by Tom Lazarus and then brought back to Stadium Red in our A room where it was mixed in 7.1 and 5.1 surround, and stereo.”

Besides being one of the founders at Stadium Red, Zdanow is also a mix engineer, focusing on the electronic music: house, dance, pop, etc. and recently mixed an Usher and Justin Beiber project produced by Mysto & Pizzi from Ultra Records for the American Cancer Society to raise awareness about the foundation. Offering a final word on the Dangerous Monitor ST/SR, Zdanow reveals his own perspective, “One of the great things about the Monitor ST is that you know you’re not distorting on input or output. It’s basically built in such a way that whatever is coming out of your converters is what you are hearing. That is the amazing thing about it, being able to really trust what we were hearing out of our converters is something we can never really go back on.”

 

For more information on Stadium Red visit their website at: http://www.stadiumredny.com

 

 

WATCH BRYAN CARLSTROM’S VIDEO FEATURE BY CLICKING HERE

Bryan Carlstrom has over 25 years of experience making hit records. We are still trying to get over to record our own video feature with him but he kindly sent us this excellent video shot at Tranzformer Studios, Burbank, on behalf of JZ microphones.  This video gives a little insight in to his studio setup and we hope that you enjoy it too!

Credits for Bryan Carlstrom includes:  Alice in Chains, The Offspring, Billy Idol, Billy Ray Cyrus, Rob Zombie, Queen, Kiss, PIL, and Anthrax just to name a few of the high profile bands that Carlstrom has worked with. Some career highlights: he recorded the famed Alice in Chains – Dirt album and The Offspring’s – Americana album. The latter sold over 10 million copies.

After years of working with some of music’s elite record producers and artists and becoming a highly recognized recording engineer himself, Carlstrom felt it was time for a change. He decided to branch out on his own several years back and focus primarily on producing, developing and writing. Established and up-and-coming artists alike seek out Carlstroms’ creative production, recording and writing skills.

In 2007 Carlstrom founded TRANZFORMER STUDIOS in Burbank, Ca. The Studio has a distinctly creative environment. There is where Carlstrom uniquely merges the best of both analog and digital recording methods. Sessions are recorded through analog outboard equipment onto Pro Tools. Then mixed through their amazing sounding SSL 4064E console to a 1’ 2 track ATR tape machine. The analog warmth of tape before it goes back into the digital domain results in stellar sounding recordings.

 

WATCH BRYAN CARLSTROM’S VIDEO FEATURE BY CLICKING HERE

 

 

Carlstrom continues to be very involved in the production, recording & mixing process. He is a master craftsman.  Carlstroms’ production style is collaborative as he puts a high priority on the artists’ vision for their project. He strives to create a sonically accurate representation of the artist, while pursuing a timeless and classic quality to the music. He has a consistent track record of making quality-sounding records. A master of sounds and gear, he records through a large selection of vintage equipment and modern tube gear. Carlstrom divides his time between breaking new bands and working with well-established artists. He has primarily been producing and writing the past several years as well as wearing both hats as engineer/mixer. His expertise in Pro Tools recording is well recognized. He has been featured on Digidesign’s website in their artist spotlight section and is regularly sought out for digital audio recording consultations.

Contact Information

Tranzformer Studios 818 748-8618
Worlds End Management
E-mail Bryancarlstrom@mac.com
Tranzstudio@me.com
Websites: www.bryancarlstrom.com

http://www.facebook.com/bryan.carlstrom

http://www.facebook.com/pages/Tranzformer-Studios/141328449247264

Discography

Produced =P Co-Produced =CP Recorded =R Mixed =M Mastered =Mx Songwriting =SW

Billy Ray Cyrus-Brother Clyde (Featuring Dolly Parton)-Walt Disney (2010) (R,M)
Armored Saint – La Raza – Metal Blade Records (2010) (R,M)
Something To Burn – Transitions(2009) (R)
• Hillbilly Herald – Self Titled (2009) (R,M)
• Konami Entertainment – Rock Revolution Video Game (2009) (R,M)
• The Host – (2009) (R)
• Jimmy Young – We Can’t Tell You How To Live (2009) (R,M)
• Putnam Hall – “Fight the Format” (2009) (R)
• Tongue Dried Sun – Zero Hour (2008) (P,R,M)
• Defy Tomorrow – One Through the Heart (2007) (R,M)
• Adam Rodolph’s Moving Pictures – “Dream Garden” – Justin Time Records (2008) (M, Mx)
• Immune – Nothing Left to Believe (2007) (R,M)
• Lynette Brehm – 4 song E.P. (2007) (R,M)
• Femi Tabu – XXII – Rebel Tone Records (2007) (R,M)
• Jeremy Riddle – “Full Attention” – Vineyard Records (2007) (M)
• Mia Doi Todd – Gea – City Zen Records (@007 (R,M)
• Gesham Matantuba & The Nu Nova Compound – “A Gift From Trane” – Tahoe Records (2009) (R,M)
• Jeremy Riddle – “Sweetly Broken” – Compilation Vineyard Records (2006) (M)
• Rie Sinclair – (R)
• Build an Ark – Dawn – Shaman Work Recordings (2006) (R,M)
• Rob Zombie/White Zombie – Greatest Hits * – Polydor (2004) (CP,R)
• The Dreaming – featuring Christopher Hall – (CP,R,M,Mx,SW)
• Adam Rudolph – Pictures of Soul – Meta/Ota Records (2003) (R,M,Mx)
• Jet Black Summer – Ladder of Divine Ascent – Lakeshore (2003) (R*,M)
• Dixon – Lava/Atlantic (2002) (CP,R,M,SW)
• Frankie Machine – One – Mammoth Records (2000) (CP,R,M)
• Marie Therese – *- Island UK (2000) (R,M)
• Eternal Wind – Eternal Wind Plays the Music of Yusef Lateef – (upcoming release) label TBA (R,M)
• Alice in Chains – Music Bank: Nothing Safe: Best of the Box – Died, Get Born Again* – Columbia ***(1999) (R)
(2000 Grammy Nominee for Best Hard Rock Performance)
• Swimmer – Surreal – Maverick/Warner Brothers (1999) (R)
• The Offspring – live concert for MTV (1999) (R, M, Mx)
• Disappointment Incorporated – Feelings Mean Nothing – Time Bomb Recordings (1999) (CP,R,M)
• Stavesacre – Speakeasy – Tooth and Nail (1999) (2001 Dove Nominee – Hard Music Album of the Year) (P,R,M)
• Project 86 – Project 86 – BEC Records (1998) (1999 Dove Nominee – Hard Music Album of the Year) (P,R,M)
• The Offspring – Americana – Sony***** (1998) (R)
• Stabbing Westward – Darkest Days – Columbia** (1998) (R)
• Flight 16 – Flight 16 – Sony 550 (1998) (R)
• Ednaswap – Wonderland Park – Island (1998) (R)
• Cafe R&B – Black & White – It Works Music (1998) (R)
• Training for Utopia – Plastic Soul Impalement – Solid State (1998) (P,R,M)
• Angelique – Present – Red Ant* (1998) (R,M)
• Adam Rudolph’s Moving Pictures – 12 Arrows – Meta Records (1998) (Mx)
• The Offspring – Ixnay the Hombre – Sony **** (1997) (R)
• Ednaswap – Wacko Magneto – Island (1997) (R)
• Strictly Ballroom – Hide Here Forever – Waxploitation (1997) (R)
• Killing Culture – Killing Culture – Edle (1997) (M)
• Adam Rudolph’s Moving Pictures – Contemplation – Meta Records (1997) (M)
• Biohazard – Mato Leon – Warner Brothers (1996) (R)
• Rust – Bar Chord Ritual – Atlantic (1996) (R)
• Stavesacre – Absolutes – Tooth and Nail (1996) (P,R,M)
• Stavesacre – Friction – Tooth and Nail (1995) (P,R,M)
• Ednaswap – Chicken – Island (1995) (R,M)
• Poe – Hello – Atlantic** (1995) (R)
• Sweetwater – Superfriends – East West (1995) (R)
• Filter – Short Bus – Hey Man Nice Shot* – Reprise/Warner (1995)* (R)
• Adam Rudolph – The Dreamer – Meta Records (1995) (M)
• Alice in Chains – live concert for MTV (1994) (M)
• White Zombie – Nativity in Black: Tribute to Black Sabbath – Children of the Grave* – Geffen Records** (1994) (P,R)
• Love Spit Love- Love Spit Love – Imago (1994) (R)
• Orange 9MM – Driver Not Included – East West (1994) (R)
• The Knack – My Sherona *- Reality Bites soundtrack (1994)**** (R)
• Indians – Bed of Roses *- Reality Bites soundtrack (1994)**** (R)
• White Zombie – Feed the Gods*- Airheads soundtrack – Arista/20th Century Fox (1994) (CP, R, M)
• White Zombie & Brenden – Degenerated* – Airheads – Arista/20th Century Fox (1994) (CP, R, M)
• 4 Non Blondes – I’m the One*- Airheads soundtrack – Arista/20th Century Fox (1994) (R, M)
• Anthrax – Kiss My Ass: Classic Kiss Regrooved – She* – Mercury (1994) (R,M)
• Doom Squad – Tribute to Judas Priest – Century Media (1994) (R,M)
• Adam Rudolph’s Moving Pictures – Skyway – Soul Note (1994) (M)
• White Zombie – Beavis and Butthead Experience – I am Hell* – Geffen Records **** (1993) (CP,R,M)
• Anthrax – Sound of White Noise – Elektra *** (1993) (R)
• Anthrax – Beavis and Butthead Experience – Looking Down the Barrel of a Gun* – Geffen**** (1993) (R)
• Anthrax – Poison My Eyes *- Last Action Hero soundtrack (1993) (R)
• Sacred Reich – Independent – Hollywood (1993) (R)
• Indians – Look up to the Sky, I Love the World* – Kalifornia soundtrack (1993) (R)
• Die Krups – A Tribute to Metallica – One, Enter Sandman* – Hollywood Records (1993) (M)
• Alice in Chains – Dirt – Columbia **** (1992) (R)
• Spinal Tap – Break Like the Wind – MCA (1992) (R)
• PIL (Public Image Limited) – That What is Not – Virgin (1992) (R)
• The Indians – Indianism – Polydor/Polygram (1992) (R)
• Adam Rudolph’s Moving Pictures – Adam Ruldolph’s Moving Pictures – Flying Fish Records (1992) (R,M)
• Citizen Cope (aka Clarence Greenwood) – label TBD (M)
• Social Distortion – Somewhere Between Heaven and Hell – Epic/Sony*** (1991) (R)
• Mary’s Danish – Circa – Morgan Creek (1991) (R)
• Armored Saint – Symbol of Salvation – Metal Blade (1991) (R)
• Rattlebone – Rattlebone (EP) – Hollywood Records (1991) (R)
• Bullett LaVolta – Swan Dive – RCA/BMG (1991) (R)
• Last Crack – Burning Time – Roadrunner (1991) (R)
• Riverdogs – Riverdogs – Epic (1988) (R)
• Los Angeles Philharmonic Orchestra – soundtrack (R)

P = Produced, CP = Co-produced, R = Recorded, M = Mixed, Mx = Mastered, SW = Song Writing

Additional Engineering

Billy Idol, Queen, Kiss, The Cult, Adam Ant, Terminator X, Crosby Stills and Nash, Bonnie Rait, Dwight Yokum, Meat Puppets, Cracker, Lucinda Williams, Flotsam & Jetsam, Lizzy Borden, Nuclear Assault, Pontiac Brothers, Crumb Suckers, The Outfield, Lush, Duran Duran, Big Head Todd and the Monsters, Lili Hayden, Megadeath, D.R.I., Rob Halford, Red Cross, Slayer, Corrosion of Conformity, Omen, Fates Warning, Goldfinger, Tom Jones, Yusef Lateef, Graham Grace, and Dick Dale among others.

Biography Background

Bryan Carlstrom has been making records for over 25 years. He spent 10 years collaborating with producer, Dave Jerden (Jane’s Addiction, Alice in Chains, Rolling Stones), as his head engineer at Eldorado Studio (Burbank, CA). Carlstrom has since embarked on his own production and songwriting career. His recording experience covers a wide spectrum of genres; from rock, hip hop, hard core, industrial, alternative, punk to jazz, blues, world, orchestras, Christian music and more. His recording experience includes many movie soundtracks, commercials and sound for TV. Carlstrom was educated in music and voice at the University of South Dakota and he studied engineering at the Los Angeles Recording Workshop. He trained at Capital Records Studio and Track Record among other places. Prior to embarking on his production/engineering career, Carlstrom performed (guitar and vocals) with several touring indie bands back in the Midwest. He moved from his home state of South Dakota to Los Angeles in 1985 to pursue a career in music and quickly fell into making records. His interest in music and technology came together naturally. Having since seen over 50 albums through from front to back, his knowledge of record making is extensive. He has had the pleasure to work with such well-known producers as Keith Forsey, Bob Rock, Ken Scott, Shel Talmy and Randy Burns among others.